links for 2007-11-11

links for 2007-11-08

The photographers eye or the digital mirror?

The video survey got me thinking about what defines us in journalism. Is it our skills, our job description or where our desk is in the office? Or is it something more than that?

Have a read this meditation on why being ‘brain damaged’ separates the pro from the mo photographers.

I couldn’t understand why people were putting these pictures[pictures of friends and family] on flickr, because I have a particular type of brain damage which caused me to forget that the second picture exists. The type of brain damage I’m referring to is “the photographer’s eye”.

Is the guy talking out of his proverbial or is he right?

Now if you asked me to put a cross and touch the pen I’d be voting for the ‘out of his arse’ option here.

 I know that he isn’t talking about journalism and I’m certainly not saying that all photographers are imbued with such views. But (and this may just be me) a lot of the conversation about journalism seems perilously close to using the “brain damaged” defence.

What separates the pro from the amateur becomes almost metaphysical: Journalism can not exist outside of journalism and that is only defined within a newsroom.

As Gavin O’Reilly from Independent News & Media, told the Society of Editors meeting this week:

“The USP of the newspaper of the future [will be] built upon journalistic skills that are not simply a God-given right of someone with attitude sitting in a garage in front of a computer, but rather is a skill that is learned and earned.”

So it needs to be a God-given right and then sanctioned by an even higher power then!

The digital mirror

Digital, in all its forms, is becoming the tipping point. The internet, Bloggers , UGC, video, community and CJ’s have tested the definition of journalism and journalist to breaking point.  It’s put it out of reach of the paradigm repair approach journalism has got in to (and still indulges in)

There has never been a harsher mirror held up to the industry and rather than holding others up to it we need to bite the bullet and look in it ourselves

Thanks to the venerable Batman for the photogrpahy link

Frontline Club video training

frontline_club_logo2.gifPicking up on my mention of the need for more training in my post about my video survey, Katie Cannon from the front line club has sent me details of some of the video related courses they run.

They offer a number of courses from filming to editing which look kind of interesting.

In the interests of fairness I’m inviting anyone else who runs video journaluism training to drop me a line and I’ll complile a list.

links for 2007-11-05

Video Workload survey: German figures

German website DerWesten has picked up on my video survey results in a blog post comparing their times with my results.

Markus Huendgen blogged about results comparing them to a breakdown of their production times for a Halloween video they created*:

  1. Preparation (accreditation etc.) about 1h
  2. Map (food Essen after to Bottrop) approximately 1.5 h
  3. The presence on the ground (filming scenes look etc.) about 3h
  4. Return (Bottrop after to Essen) about 0.5 hThus, we have already arrived at 6 hours.
  5. After processing (materials processing, sift, cut) approximately 2h
  6. Creating the video formats (streaming, downloading) approximately 1 h
  7. Adjusting to the portal (upload, articles) about 0.5 h

Come bottom line approximately 9.5 h For three minutes of video.

*it’s a Google translation of the page

It’s a good vid (what those crazy kids will do for fun these days!) but even with improvements in the upload times, more efficiency in the editing and better setting up of contributors production times wouldn’t get much shorter.

So whilst Markus concedes that there may be benefits the reality is that this stuff takes time and takes Schweinegeld.

Roughly translated : Megabucks.

Note: Der Westen is a regional news portal by the Essen-based WAZ newspaper group. It’s a pretty impressive site with all kinds of web 2.0 goodness including geo-tagging of stories. It hasn’t been without friction though and Martin Stabe has nice post with more about Der Westen over at Press Gazette, laying out some of the issues.

Video Workload survey results

So, the responses to my second little survey about video have slowed enough for me to put out some results.

I tried to expand on some of the areas from the first survey that had caused debate, in particular points raised by the Newspaper video yahoo group. So here are some of the headlines just to get people wound up:

  • Video is commonly shot and edited by the same person
  • Reporters are expected to shoot video and file copy on the same story
  • Photographers are expected to shoot stills and video on the same story
  • You should allow 4 hours to produce 1 minute of video
  • There are no clearly defined roles in newsrooms for video

Production Times

Production times

The last survey asked the simple question, “On average, how long does it take to produce video“. On average this was around 2-3 hours. Coupled with an average running time of 2-3 minutes, I made a bit of sweeping statement that 1 minute of video would take 1 hour.

Average running time for videoIn this survey running times of 2-3 minutes where still the overwhelming norm. But I tried to be more specific about what production time was by splitting it in to three areas.

  • Pre-production – On average how long does it take plan and prepare (storyboard, set up interviews etc.) for a video shoot?
  • Production – On average how long does it take to shoot your video?
  • Post-production – From the point you return from the shoot to the point it is ready to upload to the site, on average how long does it take to edit your video?

Taking the average figures for each of these sections a rule of thumb time would be more like 4 hours production for a minute of online video.

The 1hour for one minute time was a surprise to me in that it mirrors the kind of production times I would expect to see in a smooth running broadcast news set-up. The 4:1 ration brings the production time more in line with the kind of times I see in longer form broadcast productions (over 30 mins running time)

This would tally with the kind of video that people are producing:

What kind of video

Type of content produced and what people would like to do more of

Most newsrooms surveyed seem to be happy with the amount of breaking news they generate. I think this is sensible. Most editors are committed to the idea that the web is a breaking news medium (I’m not too sure about that, but that’s me) but recognise that video is not the way to break it.

Multimedia seems to be the way that people would like to develop their video output. I didn’t put too much of a definition of what multimedia actually is apart from saying ‘part of a multimedia package’. I was thinking along the lines of things like Being a black man or Reporting for Duty.

On a side note this would make me think that a lot of newsrooms need to consider a serious look at the skillset required here in terms of training and staffing.

The editing bottleneck

What is clear, both in terms of the time and type of content, is that the area that has the most impact is the editing time. I don’t see a premium on editing times a problem per se. Stories are often made in the edit suite and a lot of time is taken discussing how a story fits together – hence the off-line and on-line paradigm. But experience and some of the comments raised around this and the last survey would point more towards a lack of experience and skills in this area slowing things down. As one responder commented:

Beginning video producers can take upwards of 8 hours or longer to edit a short piece. Advanced shooters (>1 year experience) can edit in 1-4 hours.

But lack of experience is not the only factor here.

The upload tax

There is also the issue of compression/conversion to consider here. The larger percentage of post-production times over 4 hours suggests that most responders included the time it takes to convert the video in to a workable web format. As the respondent above pointed out:

The flv encoding/de-interlacing/uploading process takes an additional 1/2 – 3 hours depending on the quality desired.

So perhaps a strictly accurate ratio for actual production would be to assume a generous 3:1 of person time with a 4:1 ‘to site ratio’ - the time from idea to appearing on the site.

Who is doing it?

Video is shot and edited by the same person in 84% of newsrooms who responded . But looking at the breakdowns of who shoots and edits, there seems to be a contradiction.

Who shoots and edits your video

Looking at the US bias is clear here with photographers dominating the production. But dedicated multimedia producers dominating editing.

In none US newsrooms the division of labour is much more even.

Shooting and editing roles in none us newsrooms

So what’s the reason?

Who am I right now?

One reason is that there are photographers and reporters who have dual identities. They are also digital editors or producers.

But looking through the comments I would guess that this goes one step beyond simple multiple roles. I think it’s people answering some questions based on the task they are doing at the time rather than their absolute job description. In reference to another question one responder noted

I’m actually a dedicated multimedia producer and I guess I self assign about half of my stories. I consider myself to be both a reporter and a photographer … So the answer to that one may not be exactly what you had in mind.

So I’m wondering whether people engaged in an element of multiple personality when answering all the questions in the survey. This, assuming job titles based on activity, is something that interests me and I will return to in another post.

Spinning plates

Sticking with the idea of multitasking there’s an alarming, but not surprising statistic, about the numbers expected to produce multiple versions of a story. In a majority of the newsrooms (71%), reporters would be expected to shoot video and file print copy on the same story. Photographers would be expected to shoot stills as well as video for a story in 66% of the newsrooms who responded.

If we take the headline that the same person will be shooting and editing video these figures are pretty scary. You’re going to be very busy.

But the more specific figures would suggest that reporters and photographers would produce content and hand it over to other people to edit (although I accept that in the US that is likely to be another photographer). They would be part of the chain. But the apparent contradictions would suggest that there needs to be more specific study in to the workflows in newsrooms.

Conclusions

There is a lot more information in the survey and I do think that is a better ‘finger in the wind’ than my previous effort. But I think it’s only going to make sense, and be really useful, with a lot more work around those specific workflows. (hey, I may be getting closer to actually doing some proper academic research!).

But here are two responses that I think define the boundaries of the debate. This one from the UK .

Training, training, training, training – get the picture?

And this one from the US

Our viewer numbers were way higher with photo galleries, even before soundslides but we are whole hog into video with nothing but declining numbers and tons on extra work to show for it. Our publisher thinks Utube should be our standard, I don’t know why we wasted the money on the XHA1, when we could have used much cheaper gear for this standard.

Discuss…